Monday, January 30, 2012
Book review: Delusions of Gender
My mother is fond of telling a story. Her first child, she had me in her early twenties. Highly influenced by the Feminist thought of the 1970’s, Mom was convinced she would raise me quite differently. The first major challenge to her beliefs arrived not far into the process of parenthood. Like the little boy I was, my play routinely involved pretending to shoot a toy gun.
Except that I didn’t actually have a gun at my disposal. Instead, I began to use stray pieces of a vacuum cleaner, simulating the sound of the firing of a gun. Kow! Kow! Mom was determined she would not reinforce such traditionally masculine behavior and refused to purchase me a simulated firearm.
My Grandmother, being of a very different generational mindset, could not understand her daughter’s rationale. Boys played with guns. Boys had always played with guns. Why should it be any different for her Grandson? I was loaded into a car and then taken to a store. While there, three or four toy guns were bought for me. I set aside the vacuum cleaner for good, running around the yard in a fantasy world of my own creation.
This story might, on its face, seem to argue for traditional gender roles. Past scientific research has relied on methodology as simplistic as this to form firm, supposedly unshakable conclusions. But, as we are told, correlation does not prove causation. The other boys I played with, the gender-specific television programs I watched, and the behavior of adults around me almost certainly influenced my likes and dislikes. The brain is complicated both in its wiring and its ability to adapt and be shaped to fit specific situations and environments.
Similar conclusions are plentiful in Australian psychologist, writer, and professor Cordelia Fine’s most recent book. It is entitled, appropriately, Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference. Relying on an exhaustive series of research studies to prove her conclusions, Fine debunks one gender stereotype after another. By the end, the reader has to concede that multiple analyses routinely cited by journalists, each asserting some form of gender essentialism, are of dubious factual value.
Politics, rather than sound methods, motivates any number of shoddily and sloppily performed experiments. In many other scientific fields, hypotheses these simplistic would be laughed at and never allowed to be published. Neuroscience, like the brain itself, is poorly understood, relying on a very small number of indisputable truths. When linked with sexist claims and traditional perceptions of gender, gross oversimplifications of brain function are utilized to consistently prove and reprove the status quo.
A brief note. Those who wish to read Delusions of Gender ought to be aware that large sections of the book contain scientific language and jargon, especially the second part. A more or less standard narrative is present in the first and the concluding partition. Regarding the scientific data, I found myself sometimes having to take great pains to not lose myself in the terminology, though the results of each experiment are easy enough to comprehend.
One discovers that even the most complicated-sounding study has a predictably and distressingly similar result. Yet, even when contemplating the consistently depressing, one nevertheless finds a kind of reassuring comfort. It is possible to easily see well beyond the monochromatic world advanced by scientists with a bone to pick.
By the end, Fine argues for, in her words, a great unraveling. Each of us plays a notable role in the deconstructing and eventual vanquishing of gender inequality. She challenges us to be cognizant, as best we can, of the ideas we directly express and emote. How we talk, how we respond to others, how we hold our bodies and gesticulate, the way we form our thoughts—all of these are of great importance.
The reality is complex in ways we can barely fathom. If the problem was as easy to solve and to understand as the studies that make such claims, we would surely have made much greater strides by now.
Sunday, January 29, 2012
Quote of the Week
"The spring of 1988, I spent a fair length of time trying to come to grips with who I was and the habits I had, and what they did to people that I truly loved. I really spent a period of time where, I suspect, I cried three or four times a week. I read Men Who Hate Women and the Women Who Love Them and I found frightening pieces that related to...my own life."- Newt Gingrich, 1989.
Saturday, January 28, 2012
Saturday Video
Let me tell you how it will be:
That's one for you, nineteen for me;
'Cause I'm the taxman;
Yeah, I'm the taxman.
Should five percent appear too small,
Be thankful I don't take it all.
'Cause I'm the taxman;
Yeah, I'm the taxman.
If you drive a car,
I'll tax the street.
If you try to sit,
I'll tax your seat.
If you get too cold,
I'll tax the heat.
If you take a walk,
I'll tax your feet.
Taxman!
'Cause I'm the taxman;
Yeah, I'm the taxman.
Don't ask me what I want it for
(Aaah, aah, Mr. Wilson)
If you don't want to pay some more.
(Aah, aah, Mr. Heath)
'Cause I'm the taxman;
Yeah, I'm the taxman.
Now my advice to those who die:
(Taxman!)
Declare the pennies on your eyes!
(Taxman!)
'Cause I'm the taxman;
Yeah, I'm the taxman,
And you're working for no one but me...
Friday, January 27, 2012
Bisexuals Get No Respect
I rarely link to existing articles, but I think these two are deserved.
Cynthia Nixon: Bisexuals? We get no respect
This one is better.
Cynthia Nixon: Bisexuals? We get no respect
This one is better.
Nature
Conscious of my painted toenails, I did not emerge from the
river like all the others. I instead bobbed up and down with the gently rolling
current. Staring at my slightly denuded chest, I had been earlier experimenting
with the removal of body hair. My intention was to reach a more feminine ideal,
a standard that always felt more biological to me than cultural.
While swimming or dog paddling, one learns to avoid the beds
of fresh water mussels. The pressure of toes and the balls of the feet cause shellfish
to slam shut. The first time it happens to you, your body jerks in surprise.
After a time, one adjusts, but it’s always a bit of a fright.
My girlfriend at the time implored me to swim closer to the
shore. She never divided in headfirst as I did. She never hid her toes or the
hair on her legs. Easing her body into the water, little by little, she kept
running commentary. A tilted rock, just the right size, was concealed by the
level of the water. It entered, unexpectedly, giving her a jolt.
That was… intimate.
She chuckled nervously. Past partners would not have called attention to the violation,
but this was not how she was. For her, the world was an everlasting scavenger hunt.
While walking the woods, she would leap for the latest specimen, grabbing for
the ends of tails and wings. I found bugs generally creepy and disgusting, but
she had no such reservations. Her entire life had been lived in the outdoors.
It was where she came to recharge and where I came simply to be with her.
Being with me took a lot of convincing. At the outset, I
held her hand while she cradled the framed picture of her ex-boyfriend,
sobbing. I probably should have been more bothered the way she transposed his
personality traits and perceived strengths onto me. I wanted her with a kind of mad desperation
and dogged persistence. In workshop, I’d fallen in love with her short stories
and now wanted the person whose mind had crafted them.
Returning from the creek, we drove back to her house, talking
of nothing in particular. I was devising another strategy to keep her from
pushing away from me. The eight years that separated us in age was often cited
as a reason why we needed to no longer see each other. Like a comedy duo, we
kept returning to the same exchange, the same routine.
Do you see that
picture on the wall? I indicated that indeed, I did see it. That was me when I was your age. She
didn’t look that much different then as she did now. Perhaps she seemed less
comfortable with herself and a little more unsettled and indecisive. Each time
with this call-and-response conversation, she smiled, self-satisfied. I suppose,
to her, she felt better being the old wise soul and me the baby.
For all her indecisiveness, or belief in her intellectual
superiority and maturity, she returned to me, consistently. I was simply
grateful for what I received and did not know yet what I truly deserved. Even
so, I still find myself citing in words and in conversation some of the wisdom and
insight she shared with me. She is part of me. The frustration is gone. The
picture on the wall is now mine.
Thursday, January 26, 2012
Planet Telex (Slightly Shortened)
I decided to leave off the ending coda from the released version.
You can force it but it will not come
You can taste it but it will not form
You can crush it but it’s always here
You can crush it but it’s always near
Chasing you home saying
Everything is broken
Everyone is broken
You can force it but it will stay stung
You can crush it as dry as a bone
You can walk it home straight from school
You can kiss it, you can break all the rules
But still
Everything is broken
Everyone is broken
Everyone is, everyone is broken
Everyone is, everything is broken
You can taste it but it will not form
You can crush it but it’s always here
You can crush it but it’s always near
Chasing you home saying
Everything is broken
Everyone is broken
You can force it but it will stay stung
You can crush it as dry as a bone
You can walk it home straight from school
You can kiss it, you can break all the rules
But still
Everything is broken
Everyone is broken
Everyone is, everyone is broken
Everyone is, everything is broken
Wednesday, January 25, 2012
Movie review: Black Brown White
The 2011 Austrian film Black Brown White covers a topical issue that has been prominent in German-language cinema the past few years, human trafficking. Director Erwin Wagenhofer is the latest to contribute to a chorus of cinematic reformers who are heavily critical of xenophobic attitudes. The main character, the truck driver Peter (Fritz Karl), hauls garlic and tomatoes, but also undocumented workers. The profit is high, but so are the risks.
A Ghanaian woman named Jackie (Clare-Hope Ashite) throws a spanner into his coordinated plans. She refuses to take a place in the back of the air-conditioned, but packed trailer with the others. With her young son in tow, she defiantly takes a place in the cab at the front, next to Peter. This act is verboten for a reason; it only increases the risks involved in an already risky enterprise. Still, the trucker grudgingly admires her persistence and allows the two of them to stay.
A picaresque journey through back roads and deliberate diversions ensues. Evading the police is almost a skill in and of itself. Jackie and her son present frequent challenges by their very visibility. Showing a surprising sensitive side, Peter violates his good judgment by not keeping constant control and surveillance over the two of them. Other men involved in the process of smuggling assume that the Ghanaian is his lover, and the child his own. Why would he be so uncharacteristically soft and incautious otherwise?
Halfway through the film we, the audience, learn that Peter has become a trafficker of humans because of financial necessity. Bad economic times created the need for additional income, but his feelings towards the practice are mixed. The financial reward is lucrative, but the process from start to finish is involved and frequently harrowing. The smuggler never gets the opportunity to relax even for a moment. Danger is openly courted, fate is constantly tempted. He must find a way to never become caught in a lie. In a quiet moment one night, Peter concedes that this haul will be his last.
A main underlying theme in Black Brown White is racism and racist beliefs. Countries in Western Europe often display overt hostility, even to legal immigration. To cite one example, the immigration policy of the Swiss has long been time-consuming and difficult to navigate. Many Swiss don’t want to live with people who look differently than their people have always looked, or talk differently than they have always talked. Or, in other words, they do not wish to compromise cultural purity. The global economic crisis only amplifies these feelings. People now believe that illegal immigrants are taking money out of their own pockets, not just polluting the gene pool.
The widespread belief in ideas like these does not stop with German-speaking peoples. It is especially true in France. Hypocrisy is rampant and virulent, especially because countries who routinely lambaste American racism take part in it themselves, in their own way. Unlike the United States, Western Europe was never founded on an idealistic premise that one ought to take in the refugees of the world. The nation-states of the Old World have, in effect, put up fences much higher and longer than ever proposed by American politicians.
A fear of ethnic corruption regrettably exists in the minds of millions. Black Brown White shows that at least some can see beyond the fear and suspicion. As Americans, it may do us good to recognize that racism and ideas of cultural acceptability do not end and begin with us. We might need to be cautious before we look elsewhere to find a sort of purity we believe to be not present on our shores.
Our problems may have been magnified with time alongside our predominant size and influence throughout the world community. Large countries magnify both their flaws and successes. Small countries sin no less, but often go unreported and unacknowledged.
And along the way, a few basic lessons can be learned that are true regardless of one's country of origin. Life can be rewarding, but it is rarely easy for any of us. People are pretty much the same everywhere, often when it comes to conquering adversity. Every place in the world holds its strengths and also its weaknesses.
Tuesday, January 24, 2012
Cathy's Clown
Don't want your love anymore,
don't want your kisses, that's for sure,
I die each time I hear this sound
Here he comes
that's Cathy's clown
I gotta stand tall
you know a man can't crawl,
when he knows you're tellin' lies
and he hears 'em passing by,
he's not a man at all
Don't want your love anymore,
don't want your kisses that's for sure,
I die each time I hear this sound,
Here he comes
that's Cathy's clown
When you see me shed a tear,
and you know that it's sincere
Don't you think it's kinda sad that
you're treating me so bad
or don't you even care?
Don't want your love anymore,
don't want your kisses that's for sure,
I die each time I hear this sound,
here he comes
that's Cathy's clown
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